Yetgeul › Dongguk Isangguk Jip (Collected Works of Minister Yi of the Eastern Country) › Latter Collection, Book 9

Matching the Rhymes of the Long Snow Poem in Thirty Rhymes with Which Vice Minister Yi Su Replied in Palindrome Form次韻李侍郞需以廻文和長句雪詩三十韻

Dongguk Isangguk Jip (Collected Works of Minister Yi of the Eastern Country) 東國李相國集 · Yi Gyubo · Compiled 1241 (Goryeo, 28th year of King Gojong); revised and enlarged 1251 · 2 passages · 494 Chinese characters · reading time 5.5 min

Dongguk Isangguk Jip (Collected Works of Minister Yi of the Eastern Country) Latter Collection, Book 9 The collected writings of Yi Gyubo of Goryeo, gathered and cut in woodblock by his son Yi Ham in 1241 and revised and enlarged by his grandson Yi Ikbae in 1251. It holds poems and rhapsodies, memorials and reports sent up to the king, records written for temples and pagodas, stele and tomb inscriptions, letters and prefaces, and the state letters that passed to and from the Mongols during the invasions. The Lay of King Dongmyeong, which sings the founder of Goguryeo, stands in volume 3 of the first collection, and the daily life of a man who called himself the White Cloud Layman — with his wine, his zither and his verse — fills the later collection. The book closes with the last poem he wrote as his eyes failed and he laid down the brush, and with the dirge and tomb inscription others made for him after his death.

昨蒙復以織錦體和前雪詩。夫廻文也。雖於短章。難莫甚焉。故古之人。雖喜爲廻文。未有至於二十三十韻者。況又和人所作鉅篇。復以廻文者乎。今子之所示。琬轉可愛。不可不答。依韻效嚬耳。

Yesterday I was favoured again with a reply to my earlier snow poem, in the woven-brocade manner (織錦體). Now of the palindrome (廻文) it may be said that even in a short piece nothing is harder than this. And so, though the men of old delighted in making palindromes, there was none who carried it to twenty rhymes or thirty. How much more, then, when one replies to another man's long piece and does it in palindrome besides!

What you have now shown me turns so gracefully that it is to be loved, and I cannot leave it unanswered. I only follow the rhymes and imitate you clumsily.

Interlinear notes 1

幷序

The preface is included with it.

忙撥火來寒帶曉。急挑燈後暝侵宵。凰冠赤沒渾山滿。雉髻紅埋亘谷飄。墻粉白添知巧飾。峀鬟靑露覺微瀌。荒林晚宿窮猿縮。迥野晨飛快鶻驕。狂態卷遭行客踐。皓形移自善工描。藏深路面平沈地。鎖久花根密噤苗。張傘御街行緩緩。拂蓑漁浦去遙遙。煌螢映字書窓夜。肅爽醒魂睡榻朝。粧樹大封枝及幹。冒巖危陷頂兼腰。忘移圃菜新抽甲。緩種畦蔥好挺條。蝗滅已諳田秀麥。鷺驚偏訝海增潮。陽廻漸寢華奔放。日耀當收色姹嬌。鴦瓦壓嗟端射冷。兔毫凝歎曠裁謠。腸飢認已空鐺鼎。足蹇兢將踏棧橋。涼被薄知方憚臥。淡灰枯恨却難燒。倉囷洒滿爭糧糒。府庫堆多較縠綃。香案觸嫌方暗息。㸑廚侵悔自輕消。襄懷恐或多融釋。斂減知應罷蕩搖。章騁必宜須爾訪。酒醺還欲得他招。霜氷肖豈重輕積。雨露同何先後澆。強僕倚堪常泛篲。病奴寬許已慵樵。羊驅牧處毛輕散。鶴放看時毳細凋。郞騎躍歸霑玉弁。客軒騰去混銀貂。囊儲投拾瓊分擲。橐實謀收米峙饒。芳草茁妨威烈猛。穢塵閑泛汁流漂。長堤遠怯欹籉笠。靜閤寒知澁管蕭。黃道犯難應避去。碧天凌易忽飛超。觴深倒快心開豁。景勝吟酣興引邀。祥祲等觀恬入湛。喜悲同視廓成寥。康身得幸時平泰。適意歡欣我復聊。

Hurriedly I rake the fire and come, and the cold has the dawn upon it; in haste I trim the lamp, and afterwards the darkness seeps into night. The red of phoenix crests is buried, and every mountain is filled; the red of pheasant heads is sunk away, and it flies down every valley. The wall grows whiter, as with powder, and I know it for a deft adornment; green shows on the coiled hair of the peaks, and I know only a little has poured down. Roosting at evening in the rough wood, the hard-pressed gibbon huddles; flying at dawn over the far field, the swift hawk shows its mettle. Its mad shape is cleared away, and it is trodden by the travelling wayfarer; its white form moves on, as though a skilled craftsman had painted it. Hidden deep, the roadbed is sunk level with the ground; submerged long, the roots of the flowers have closed their shoots up tight. Spreading an umbrella, I go slowly along the high road; shaking out a straw cape, I go far off to the fishing cove. Glittering fireflies light up the characters: it is night at the reading window; coolly they wake the spirit: it is morning in the sleeping place. Dressing up the tree, it seals it over wholly from branch to trunk; covering the rock, it has sunk it perilously from crown to waist. I forget to transplant the garden greens that have newly shed their husks; I put off planting the leeks of the furrow that have well put out their stalks. The locusts being gone, I know already that the barley in the field will stand out; the herons being startled, I particularly suspect the tide has risen in the sea. When the sunlight turns, its ornate scattering slackens little by little; when the sun shines bright, it gathers in its fair colouring. I am sorry that the mandarin-duck tiles, pressed down, shoot cold air from their ends; I regret that the hare's-fur brush is frozen and has left off making songs. My belly being hungry, I know already that the cauldron is empty; my feet being lame, I am afraid to tread the legs of the ladder. The cool quilt being thin, I am just now loath to lie down; the thin ashes being dry, I regret that it is hard to kindle them after all. Sprinkled through the storehouse until it is full, it vies with provisions and dried rice; heaped up much in the granary, it is worth comparing with silk. Loath to touch the incense table, it just now rests quietly; repenting that it has seeped into the kitchen, it is gone lightly of itself. Fearing that the water will rise and hold it, it sometimes melts a good deal; and as it draws in and dwindles, I know its tossing too must have stopped. To unroll a piece of writing, it is fitting that you should come and call; and being mellow with wine, I would rather be the one who gets another's summons. Frost and ice are alike—how should they pile up heavy and light? Rain and dew are of a kind—how should they choose first and last to pour down? The sturdy servant can be leaned upon, and I always have him take up the broom; the sick servant I indulgently permit, and he has already grown slack at gathering wood. Where the sheep are driven and herded, the wool scatters lightly; when the cranes are loosed and watched, the down withers fine. The young man gallops his horse back and wets his jade hat; the guest's carriage flies along and is mingled with silver sable fur. Tossing and gathering what was heaped in the pouch is like dividing and casting beads; scheming to take in what was loaded in the sack—the rice is amply heaped. The sprouting of the fair grasses is hindered, for the bitter dominion is fierce; the filthy dust floats idly, turns to juice, and flows and is washed away. The long embankment is far off, and I fear my rain hat will tilt; the quiet house is cold, and I know the holes of the pipe are rough. The road the sun travels is hard to trespass on, and one ought to avoid it; the blue sky is easy to cross, and suddenly one flies and leaps up. Tipping the cup deep, I am refreshed and my heart opens wide; the prospect is surpassing and the chanting ripens, and the mood draws me and calls. Looking upon the auspicious and the baleful alike, I enter calmly into clearness; seeing joy and sorrow as one, I come to an emptiness and stillness. My body is in health and happily the times are at peace, and being suited in my mind I rejoice, and am glad once more.

Interlinear notes 2

文選煌煌熒熒

This is the 「brilliant and glittering」 (煌煌熒熒) of the Selections of Refined Literature (文選).

黃道 — This is also read as the road along which the sovereign proceeds. Since the matching line that follows is 「the blue sky」, the reading taken here is the sky-road along which the sun travels. — Translator