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Yuandao — Originating in the Way原道訓

Huainanzi (The Writings of the Masters of Huainan) 淮南子 · Liu An and his retainers · About 139 BC · 22 passages · 6,199 Chinese characters · reading time 24.8 min

Huainanzi (The Writings of the Masters of Huainan) Tracing the Way A book compiled by Liu An, king of Huainan under the Han, together with the retainers at his court. It is set in the fourth Daoist place after the Daodejing, the Zhuangzi and the Liezi, but it is not one man's voice: it is closer to an encyclopedia written by many hands in turn. The frame of Heaven and earth, the spirit of man and the ordering of the state, the art of war and the proverbs of the wise are all brought under one roof. "Peering into the Obscure" is where the tale is first set down that Heng'e stole the medicine of no death from the Queen Mother of the West and fled to the moon. The root of the moon myth as we have it is this one line. "A Mountain of Persuasions" and "A Forest of Persuasions" string short sayings one after another, and "Responses of the Way" ends each of its fifty-five stories with "therefore Laozi said" — old tales matched one by one against a line of the Daodejing. "The Seasonal Rules" sets the far bound of the east as running "from Mount Jieshi past Joseon," and "In the World of Man" writes that the First Emperor of Qin built the long wall and "bound it in the east to Joseon." The two passages show about where Joseon was reckoned to lie in the early Han.

夫道者,覆天載地,廓四方,柝八極,高不可際,深不可測,包裹天地,稟授無形。原流泉浡,沖而徐盈,混混滑滑,濁而徐清。故植之而塞於天地,橫之而彌於四海,施之無窮而無所朝夕。舒之幎於六合,卷之不盈於一握。約而能張,幽而能明,弱而能強,柔而能剛。橫四維而含陰陽,紘宇宙而章三光。甚淖而滒,甚纖而微。山以之高,淵以之深,獸以之走,鳥以之飛,日月以之明,星歷以之行,麟以之游,鳳以之翔。

The Way covers heaven and bears up earth. It widens the four quarters and opens the eight limits. It is so high that none can reach its edge, so deep that none can measure it. It wraps heaven and earth about, and it grants to the formless what they are given. Its source flows up like a spring, empty and slowly filling, turbid and turbid, muddy and slowly clearing. So stand it upright and it fills heaven and earth; lay it crosswise and it reaches through the four seas. Give it out and it is never used up, for it has no morning and no evening. Spread it and it covers the six directions; roll it up and it does not fill one hand. It draws in, and yet it can stretch. It is dark, and yet it can shine. It is weak, and yet it can be strong. It is soft, and yet it can be hard. It crosses the four cords and holds yin and yang within; it binds the universe together and makes the three lights plain. It is very thick, and it is slippery. It is very fine, and it is small. By it the mountain is high, by it the pool is deep, by it the beast runs, by it the bird flies, by it the sun and the moon are bright, by it the stars keep their courses, by it the qilin roams, by it the phoenix soars.

泰古二皇,得道之柄,立於中央,神與化游,以撫四方。是故能天運地滯,輪轉而無廢,水流而不止,與萬物終始。風興雲蒸,事無不應;雷聲雨降,並應無窮。鬼出電入,龍興鸞集;鈞旋轂轉,周而復匝。已彫已琢,還反於樸。無為為之而合於道,無為言之而通乎德,恬愉無矜而得於和,有萬不同而便於性,神託於秋豪之末,而大宇宙之總。其德優天地而和陰陽,節四時而調五行。呴諭覆育,萬物群生,潤於草木,浸於金石,禽獸碩大,豪毛潤澤,羽翼奮也,角觡生也,獸胎不贕,鳥卵不毈,父無喪子之憂,兄無哭弟之哀,童子不孤,婦人不孀,虹蜺不出,賊星不行,含德之所致也。

In high antiquity the Two Sovereigns got the handle of the Way. They stood at the center, their spirit roamed with the transforming power, and so they soothed the four quarters. Therefore heaven could turn and earth stay still, the wheel could roll and never wear out, the water could flow and never stop, and they could share beginning and end with the ten thousand things. Wind rose and clouds steamed up, and there was nothing they did not answer; thunder sounded and rain came down, and their answering had no end. They came forth like ghosts and went in like lightning; dragons rose and luan birds gathered. They turned like an even wheel on its hub, going round and coming round again. What had been carved and what had been polished went back again to the uncarved. They did without doing, and it met with the Way; they spoke without speaking, and it went through to virtue. Calm and glad, with nothing to boast of, they got harmony. The ten thousand things are not alike, and yet each was at ease in its nature. Their spirit lodged at the tip of an autumn hair, and yet it was large enough for the whole sum of the universe. Their virtue made heaven and earth generous and brought yin and yang into harmony; it measured the four seasons and tuned the five phases. Breathing warmth on them, covering and rearing them, they made the ten thousand things come up in crowds. It soaked the grass and the trees and seeped into metal and stone. Birds and beasts grew great, their hair and fur were sleek, their wings beat strongly, their horns and antlers came up. The young of the beasts did not die in the womb, the eggs of the birds did not spoil. A father had no grief of losing a son, an elder brother no sorrow of weeping for a younger. Children were not left orphans, women were not left widows. No rainbow came out, no baleful star traveled. All this was brought about by holding virtue within.

夫太上之道,生萬物而不有,成化像而弗宰。跂行喙息,蠉飛蝡動,待而後生,莫之知德;待之後死,莫之能怨。得以利者不能譽,用而敗者不能非。收聚畜積而不加富,佈施稟授而不益貧。旋縣而不可究,纖微而不可勤。累之而不高,墮之而不下,益之而不眾,損之而不寡,斲之而不薄,殺之而不殘,鑿之而不深,填之而不淺。忽兮怳兮,不可為象兮;怳兮忽兮,用不屈兮;幽兮冥兮,應無形兮;遂兮洞兮,不虛動兮。與剛柔卷舒兮,與陰陽俛仰兮。昔者馮夷、大丙之御也,乘雲車,入雲蜺,游微霧,騖怳忽,歷遠彌高以極往,經霜雪而無跡,照日光而無景,扶搖抮抱羊角而上,經紀山川,蹈騰昆侖,排閶闔,淪天門。末世之御,雖有輕車良馬,勁策利鍛,不能與之爭先。是故大丈夫恬然無思,澹然無慮;以天為蓋,以地為輿;四時為馬,陰陽為御;乘雲陵霄,與造化者俱。縱志舒節,以馳大區。可以步而步可以驟而驟。令雨師灑道,使風伯埽塵。電以為鞭策,雷以為車輪。上游於霄雿之野,下出於無垠之門。劉覽偏照,復守以全。經營四隅,還反於樞。故以天為蓋,則無不覆也;以地為輿,則無不載也;四時為馬,則無不使也;陰陽為御,則無不備也。是故疾而不搖,遠而不勞,四支不動,聰明不損,而知八紘九野之形埒者,何也?執道要之柄,而游於無窮之地。是故天下之事,不可為也,因其自然而推之。萬物之變,不可究也,秉其要歸之趣。

The highest Way gives birth to the ten thousand things and does not possess them; it completes the shapes of transformation and does not rule them. The things that walk on feet and breathe through beaks, that fly and wriggle and creep and stir, wait upon it and then are born, and yet none of them knows its virtue; they wait upon it and then die, and yet none of them is able to resent it. Those who gain by it cannot praise it; those who use it and fail cannot blame it. It gathers and heaps and hoards, and is no richer; it spreads and gives out, and is no poorer. It turns and hangs, and cannot be searched to the end; it is fine and small, and cannot be put to labor. Pile it up and it does not grow high; cast it down and it does not grow low. Add to it and it does not grow many; take from it and it does not grow few. Hew it and it does not grow thin; kill it and it is not hurt. Dig it and it does not grow deep; fill it and it does not grow shallow. Sudden, and dim: it cannot be made into an image. Dim, and sudden: use it and it is never spent. Dark, and hidden: it answers what has no form. Reaching, and running through: it does not stir in vain. With the hard and the soft it rolls up and spreads out; with yin and yang it bows down and looks up. Of old, when Feng Yi and Dabing drove, they rode the chariot of cloud and entered the cloud and the rainbow. They roamed in the thin mist and galloped in the sudden and the dim. They passed far off and went ever higher, to the very end of going. They went through frost and snow and left no track; the sunlight shone on them and they cast no shadow. They turned the whirlwind about and, holding the ram's-horn wind, they rose. They made the mountains and the rivers their cords, they trod and climbed the Kunlun, they pushed open the Changhe gate and sank into the gate of heaven. The drivers of a later age, though they have light chariots and good horses, stout whips and sharp bits, cannot contend with them for the lead. Therefore the great man is calm and has no thought, still and has no care. He makes heaven his canopy and earth his carriage; the four seasons are his horses and yin and yang his driver. He rides the cloud and climbs the sky and goes together with the maker of transformations. He gives rein to his will and loosens his pace and gallops through the great region. He walks when it is fit to walk and runs when it is fit to run. He has the Rain Master sprinkle the road and the Wind Earl sweep the dust away. He takes the lightning for his whip and the thunder for his wheels. Above he roams in the fields of the high sky; below he comes out at the gate that has no bound. He looks over all and lights all with no side taken, and turns back to keep himself whole. He orders the four corners and comes back again to the pivot. So if heaven is his canopy, nothing is left uncovered; if earth is his carriage, nothing is left uncarried; if the four seasons are his horses, nothing is left unemployed; if yin and yang are his driver, nothing is left unprovided. Therefore he is swift and is not shaken, he goes far and is not wearied. His four limbs do not move, his hearing and his sight are not worn down, and still he knows the shape and the bound of the eight cords and the nine wilds. How is this? He holds the handle of what is essential in the Way, and roams in the land that has no end. Therefore the affairs of all under heaven cannot be forced: follow what is so of itself and push it along. The changes of the ten thousand things cannot be searched to the end: take hold of the drift of what they come back to.

Interlinear notes 1

影

The base text has 影 written beside 景. 景 is the old form of 影, which means shadow.

夫鏡水之與形接也,不設智故,而方圓曲直弗能逃也。是故響不肆應,而景不一設,叫呼彷彿,默然自得。人生而靜,天之性也。感而後動,性之害也。物至而能神應,知之動也。知與物接,而好憎生焉。憎成形,而知誘於外,不能反己,而天理滅矣。故達於道者,不以人易天,外與物化,而內不失其情。至無而供其求,時聘而要其宿。小大修短,各有其具,萬物之至,騰踴餚亂而不失其數。是以處上而民弗重,居前而眾弗害,天下歸之,姦邪畏之。以其無爭於萬物也,故莫敢與之爭。

When the mirror and the water meet a form, they set out no cleverness and no contrivance, and yet the square and the round, the bent and the straight cannot get away from them. Therefore the echo does not answer at random, and the shadow is not cast in one fixed way. Calling and shouting are faint and blurred, and yet silently it is got of itself. That a man is born still is the nature of heaven; that he stirs after he is moved is the harm of that nature. That he can answer a thing like a spirit when it comes is the stirring of knowledge. When knowledge meets things, liking and hating are born. When hating takes shape and knowledge is lured outside, a man cannot turn back to himself, and the pattern of heaven is destroyed. So the man who has gone through to the Way does not trade heaven away for man. Outside he changes along with things, but inside he does not lose his true feeling. He is utterly without, and yet he supplies what is sought of him; he runs with the season, and yet he asks it where it will rest. Small and great, long and short, each has what belongs to it, and when the ten thousand things arrive, leaping and jumbled, he does not lose their number. So he dwells above and the people do not find him heavy; he stands in front and the crowd does not find him harmful. All under heaven turns to him, and the crooked and the wicked fear him. Because he contends with nothing among the ten thousand things, nothing dares contend with him.

夫臨江而釣,曠日而不能盈羅,雖有鉤箴芒距,微綸芳餌,加之以詹何、娟嬛之數,猶不能與網罟爭得也。射者扞烏號之弓,彎棋衛之箭,重之羿、逢蒙子之巧,以要飛鳥,猶不能與羅者競多。何則?以所持之小也。張天下以為之籠,因江海以為之罟,又何亡魚失鳥之有乎!故矢不若繳,繳不若無形之像。

A man may go down to the river and fish, and spend his days and still not fill his net. Though he has hook and barb and sharp point, fine line and fragrant bait, and adds to them the arts of Zhan He and Juanhuan, still he cannot contend in the taking with a net. An archer may hold the bow of Wuhao and draw the arrow of Qiwei, and add to them the skill of Yi and Pengmengzi, and aim at the flying birds, and still he cannot match the man with the net for number. Why is this? Because what he holds is small. Spread all under heaven and make it your cage, take the rivers and the sea and make them your net, and what fish could be lost, what bird could get away! So the arrow is not so good as the corded arrow, and the corded arrow is not so good as the image that has no form.

夫釋大道而任小數,無以異於使蟹捕鼠,蟾蠩捕蚤,不足以禁姦塞邪,亂乃逾滋。昔者夏鯀作三仞之城,諸侯背之,海外有狡心。禹知天下之叛也,乃壞城平池,散財物,焚甲兵,施之以德,海外賓伏,四夷納職,合諸侯於塗山,執玉帛者萬國。故機械之心藏於胸中,則純白不粹,神德不全,在身者不知,何遠之所能懷!是故革堅則兵利,城成則衝生,若以湯沃沸,亂乃逾甚。是故鞭噬狗,策蹄馬,而欲教之,雖伊尹、造父弗能化。欲寅之心亡於中,則飢虎可尾,何況狗馬之類乎!故體道者逸而不窮,任數者勞而無功。

To let go the great Way and trust to little arts is no different from setting a crab to catch mice or a toad to catch fleas. It is not enough to forbid wickedness and block off evil, and the disorder only grows the more. Of old, Gun of Xia built a wall three fathoms high, and the lords turned their backs on him, and beyond the seas there were crafty hearts. Yu knew that all under heaven was in revolt. So he pulled down the walls and filled in the moats, scattered the goods and the wealth, burned the armor and the weapons, and gave out virtue instead. Then those beyond the seas came as guests and submitted, the peoples of the four quarters brought their tribute, and when he gathered the lords at Tushan, those who held jade and silk were ten thousand states. So when a scheming heart is hidden in the breast, the pure white is no longer unmixed and the virtue of the spirit is no longer whole. A man who does not know what is in his own body, how could he cherish what is far off! Therefore when the hide is made stout the weapon is made sharp, and when the wall is finished the ram is born. It is like pouring boiling water on what is boiling: the disorder only grows the worse. So if a man whips the biting dog and beats the kicking horse and would teach them, not even Yi Yin or Zaofu could change them. But let the wish to harm another die out within, and a man may tread on a hungry tiger's tail, and how much more on the likes of dogs and horses! So he who makes the Way his body is at ease and never comes to the end of it; he who trusts to arts toils and has nothing to show.

夫峭法刻誅者,非霸王之業也;箠策繁用者,非致遠之術也。離朱之明,察箴末於百步之外,不能見淵中之魚。師曠之聰,合八風之調,而不能聽十里之外。故任一人之能,不足以治三畝之宅也。脩道理之數,因天地之自然,則六合不足均也。是故禹之決瀆也,因水以為師;神農之播穀也,因苗以為教。

Steep laws and harsh cutting down are not the work of a hegemon or a king; the frequent use of the whip is not the art of reaching far. The keen eye of Li Zhu could make out the tip of a needle a hundred paces off, but it could not see the fish in the pool. The keen ear of Shi Kuang could tune the notes of the eight winds, but it could not hear ten li away. So to trust to the ability of one man is not enough even to govern a house of three mu. But cultivate the number of the Way and its pattern and follow what heaven and earth are of themselves, and the six directions are not too much to make even. Thus when Yu opened the channels, he took the water for his teacher; when Shennong sowed the grain, he took the sprouts for his teaching.

夫萍樹根於水,木樹根於土,鳥排虛而飛,獸蹠實而走,蛟龍水居,虎豹山處,天地之性也。兩木相摩而然,金火相守而流,員者常轉,窾者主浮,自然之勢也。是故春風至則甘雨降,生育萬物,羽者嫗伏,毛者孕育,草木榮華,鳥獸卵胎,莫見其為者,而功既成矣。秋風下霜,倒生挫傷,鷹鵰搏鷙,昆蟲蟄藏,草木註根,魚鱉湊淵,莫見其為者,滅而無形。木處榛巢,水居窟穴,禽獸有芄,人民有室,陸處宜牛馬,舟行宜多水,匈奴出穢裘,於越生葛絺,各生所急以備燥溼,各因所處以禦寒暑,並得其宜,物便其所。由此觀之,萬物固以自然,聖人又何事焉!九疑之南,陸事寡而水事眾,於是民人被髮文身,以像鱗蟲,短綣不恊,以便涉游,短袂攘卷,以便刺舟,因之也。鴈門之北,狄不穀食,賤長貴壯,俗尚氣力,人不弛弓,馬不解勒,便之也。故禹之裸國,解衣而入,衣帶而出,因之也。今夫徙樹者,失其陰陽之性,則莫不枯槁。故橘樹之江北則化而為枳,鴝鵒不過濟,貈渡汶而死,形性不可易,勢居不可移也。是故達於道者,反於清淨;究於物者,終於無為。以恬養性,以漠處神,則入於天門。所謂天者,純粹樸素,質直皓白,未始有與雜糅者也。所謂人者,偶䁟智故,曲巧偽詐,所以俛仰於世人而與俗交者也。故牛岐蹄而戴角,馬被髦而全足者,天也。絡馬之口,穿牛之鼻者,人也。循天者,與道游者也。隨人者,與俗交者也。

Duckweed takes root in water and the tree takes root in soil; the bird pushes the empty air and flies and the beast treads the solid ground and runs; the water dragon lives in the water and the tiger and the leopard dwell in the hills. This is the nature of heaven and earth. Two pieces of wood rub together and burn; metal and fire keep each other and melt; what is round always rolls and what is hollow floats. This is the force of what is so of itself. Therefore when the spring wind comes the sweet rain falls and the ten thousand things are born and reared. The feathered brood their eggs, the furred carry their young, grass and trees flower, birds and beasts lay and bear. No one sees who does it, and yet the work is already done. When the autumn wind brings the frost down, what grows upward is broken and hurt, hawks and eagles strike, the insects hide away, grass and trees bury their roots, fish and turtles gather in the deep. No one sees who does it, and yet all is gone and has no form. What lives in the trees roosts in a nest and what lives in the water dwells in a hole; the birds and beasts have their lairs and the people have their houses. Dwelling on dry land, oxen and horses suit; going by boat, much water suits. The Xiongnu turn out coarse fur coats and Yuyue brings forth cloth of kudzu. Each brings forth what it needs against the dry and the damp; each follows the place where it lives to keep off cold and heat. So all get what is fitting for them, and each thing is at ease in its place. Looking at it this way, the ten thousand things are of themselves as they are, and what more is there for the sage to do! South of Jiuyi there is little work on land and much work on the water, and so the people wear their hair loose and mark their bodies, to be like the scaly creatures, and wear short breeches and no trousers, to make swimming easy, and roll their short sleeves up, to make poling a boat easy. They follow what is there. North of Yanmen the Di do not eat grain. They hold the old cheap and the strong dear, and their custom prizes spirit and strength. A man does not unstring his bow and a horse is not loosed from its bridle. They are at ease with it. So when Yu went to the Country of the Naked, he took off his clothes to go in and put on robe and sash to come out. He followed what was there. Now when a man moves a tree and it loses the nature of its yin and yang, there is none that does not wither away. So the orange tree moved north of the river turns into the bitter orange, the myna does not cross the Ji, and the badger dies when it crosses the Wen. Form and nature cannot be exchanged; the force of a place and the dwelling in it cannot be shifted. Therefore the man who has gone through to the Way turns back to the clear and the still, and the man who has searched things to the end comes to rest in doing nothing. He nourishes his nature with calm and settles his spirit in quiet, and so he enters the gate of heaven. What is called heaven is pure and unmixed, plain and simple, straight and white, and has never yet been mingled with anything. What is called man is the one who pairs cleverness with contrivance, crooked and cunning and false, who bows down and looks up before the men of the age and mixes with their custom. So that the ox has a split hoof and wears horns, and the horse has a mane and a whole hoof, is heaven. To put a bridle on the horse's mouth and to pierce the ox's nose is man. He who follows heaven is one who roams with the Way; he who goes after man is one who mixes with custom.

夫井魚不可與語大,拘於隘也;夏蟲不可與語寒,篤於時也;曲士不可與語至道,拘於俗,束於教也。故聖人不以人滑天,不以欲亂情,不謀而當,不言而信,不慮而得,不為而成,精通於靈府,與造化者為人。

You cannot speak of the great with the fish in the well, for it is shut in by its narrow place. You cannot speak of cold with the summer insect, for it is fixed in its season. You cannot speak of the highest Way with the crooked scholar, for he is shut in by custom and bound by his teaching. So the sage does not let man muddy heaven and does not let desire disorder his feeling. He does not plan, and he hits the mark; he does not speak, and he is trusted; he does not think, and he gets it; he does not act, and it is done. His essence goes through to the storehouse of the spirit, and he is a companion of the maker of transformations.

夫善游者溺,善騎者墮,各以其所好,反自為禍。是故好事者未嘗不中,爭利者未嘗不窮也。昔共工之力,觸不周之山,使地東南傾。與高辛爭為帝,遂潛於淵,宗族殘滅,繼嗣絕祀。越王翳逃山穴,越人熏而出之,遂不得已。由此觀之,得在時,不在爭;治在道,不在聖。土處下,不爭高,故安而不危;水下流,不爭先,故疾而不遲。昔舜耕於歷山,期年,而田者爭處墝埆,以封壤肥饒相讓;釣於河濱,期年,而漁者爭處湍瀨,以曲隈深潭相予。當此之時,口不設言,手不指麾,執玄德於心,而化馳若神。使舜無其志,雖口辯而戶說之,不能化一人。是故不道之道,莽乎大哉!夫能理三苗,朝羽民,徙裸國,納肅慎;未發號施令而移風易俗者,其唯心行者乎!法度刑罰,何足以致之也?是故聖人內修其本,而不外飾其末,保其精神,偃其智故,漠然無為而無不為也,澹然無治也而無不治也。所謂無為者,不先物為也;所謂無不為者,因物之所為。所謂無治者,不易自然也;所謂無不治者,因物之相然也。

The good swimmer drowns and the good rider falls. Each, by the very thing he loves, turns it into his own ruin. So the man who loves affairs has never yet failed to meet with disaster, and the man who contends for gain has never yet failed to come to the end of his road. Of old, the strength of Gonggong struck Mount Buzhou and made the earth tilt to the southeast. He contended with Gaoxin to be emperor, and in the end he sank into the deep; his clan was wiped out, his line was cut off, and the sacrifices ceased. King Yi of Yue fled into a cave in the hills, and the men of Yue smoked him out, so that at last he could not help himself. Looking at it this way, gaining lies in the season and not in contending, and governing lies in the Way and not in being a sage. Earth dwells below and does not contend for height, and so it is at rest and not in danger; water flows downward and does not contend for the lead, and so it is swift and never late. Of old, when Shun plowed at Mount Li, within a year the plowmen were contending to take the stony ground and giving up the fat soil to one another; when he fished on the bank of the He, within a year the fishermen were contending to take the rapids and giving the bends and the deep pools to one another. At that time he set out no words with his mouth and pointed with no hand. He held the dark virtue in his heart, and his teaching ran like a spirit. Had Shun been without that will, then though he had argued with his mouth and persuaded them house by house, he could not have changed one man. Therefore the Way that is not called a way, how vast it is! To govern the Three Miao, to bring the Winged People to court, to move the Country of the Naked, to take in the Sushen, to shift the customs and change the manners without giving out an order, surely this is the man who acts with the heart alone! How could laws and punishments be enough to bring it about? Therefore the sage cultivates the root within and does not adorn the branch without. He keeps his spirit whole and lays his cleverness and his contrivance down to rest. Quietly he does nothing, and there is nothing that is not done; calmly he governs nothing, and there is nothing that is not governed. What is called doing nothing is not to act ahead of things; what is called leaving nothing undone is to follow what things do. What is called governing nothing is not to change what is so of itself; what is called leaving nothing ungoverned is to follow how things are with one another.

萬物有所生,而獨知守其根;百事有所出,而獨知守其門。故窮無窮,極無極,照物而不眩,響應而不乏,此之謂天解。故得道者志弱而事強,心虛而應當。所謂志弱而事強者,柔毳安靜,藏於不敢,行於不能,恬然無慮,動不失時,與萬物回周旋轉,不為先唱,感而應之。是故貴者必以賤為號,而高者必以下為基。託小以包大,在中以制外,行柔而剛,用弱而強,轉化推移,得一之道,而以少正多。所謂其事強者,遭變應卒,排患扞難,力無不勝,敵無不凌,應化揆時,莫能害之。是故欲剛者必以柔守之,欲強者必以弱保之。積於柔則剛,積於弱則強,觀其所積,以知禍福之鄉。強勝不若己者,至於若己者而同;柔勝出於己者,其力不可量。故兵強則滅,木強則折,革固則裂,齒堅於舌而先之敝。是故柔弱者,生之榦也;而堅強者,死之徒也。先唱者,窮之路也;後動者,達之原也。何以知其然也?凡人中壽七十歲,然而趨舍指湊,日以月悔也,以至於死,故蘧伯玉年五十而有四十九年非。何者?先者難為知,而後者易為攻也。先者上高,則後者攀之;先者踰下,則後者蹶之;先者隤陷,則後者以謀;先者敗績,則後者違之。由此觀之,先者,則後者之弓矢質的也。猶錞之與刃,刃犯難而錞無患者,何也?以其託於後位也。此俗世庸民之所公見也,而賢知者弗能避也。所謂後者,非謂其底滯而不發,凝結而不流,貴其周於數而合於時也。

The ten thousand things have that from which they are born, but he alone knows to keep to the root; the hundred affairs have that from which they come out, but he alone knows to keep to the gate. So he goes to the end of what has no end and reaches the limit of what has no limit. He lights up things and is not dazzled; he answers like an echo and is never at a loss. This is called the unloosing of heaven. So the man who has got the Way is weak in will and strong in affairs, empty in heart and fitting in his answering. To be weak in will and strong in affairs is this: he is soft and quiet, he hides in not daring and walks in not being able, he is calm and has no care, he moves and does not lose the season, he turns and wheels about together with the ten thousand things, he does not call out first but is moved and then answers. Therefore the honored must take the lowly for his title, and the high must take the low for his base. He lodges in the small and so wraps the great; he stays at the center and so governs what is outside; he walks in softness and so is hard; he uses weakness and so is strong; he turns and shifts with the changes, and by getting the Way of the One he sets the many right with the few. To be strong in affairs is this: he meets the sudden turn and answers what comes all at once, he drives off trouble and wards off hardship, his strength overcomes everything, there is no enemy he does not bear down, he answers change and measures the season, and none is able to harm him. Therefore he who would be hard must keep it with softness, and he who would be strong must hold it with weakness. What piles up in softness becomes hard; what piles up in weakness becomes strong. Watch what a man piles up and you know the quarter where his fortune or his ruin lies. The strong overcomes one who is less than himself, and when he comes to his equal they are the same; the soft overcomes one who is greater than himself, and its strength cannot be measured. So the army that is strong is destroyed, the tree that is strong is broken, the hide that is stiff is torn, and the teeth are harder than the tongue and yet wear out first. Therefore the soft and the weak are the trunk of life, and the hard and the strong are the company of death. To call out first is the road to the end of one's road; to move afterward is the source of getting through. How is this known to be so? The middle span of a man's life is seventy years, and yet in his going forward and holding back, in what he points at and what he gathers, he is sorry by the day and by the month until he comes to his death. So Qu Boyu at fifty had forty-nine years of wrong. Why? Because the one who goes first is hard put to know, and the one who comes after finds it easy to strike. If the one in front climbs high, the one behind pulls himself up by him; if the one in front goes over and down, the one behind trips him; if the one in front breaks through and falls, the one behind lays his plan; if the one in front is routed, the one behind keeps clear of his way. Looking at it this way, the one in front is the target for the bow and arrow of the one behind. It is like the butt of a spear and its blade. The blade meets the hard thing and the butt has no trouble. Why? Because it is lodged in the place behind. This the common people of the age all see alike, and yet the worthy and the knowing cannot keep clear of it. To be behind does not mean to be stopped up and not come forth, to be frozen and not flow. What is prized is to go all round the numbers and to meet the season.

夫執道理以耦變,先亦制後,後亦制先。是何則?不失其所以制人,人不能制也。時之反側,間不容息,先之則太過,後之則不逮。夫日回而月周,時不與人游,故聖人不貴尺之璧,而重寸之陰,時難得而易失也。禹之趨時也,履遺而弗取,冠掛而弗顧,非爭其先也,而爭其得時也。是故聖人守清道而抱雌節,因循應變,常後而不先。柔弱以靜,舒安以定,攻大䃺堅,莫能與之爭。

When a man holds the pattern of the Way and pairs with change, the one in front governs the one behind, and the one behind governs the one in front. How is this? He does not lose that by which he governs others, and so others cannot govern him. The turning over of the season leaves no room for a breath between. Go before it and you go too far; come after it and you fall short. The sun turns and the moon goes round, and the season does not roam with man. So the sage does not prize a disk of jade a foot across, but holds an inch of shadow heavy, for the season is hard to get and easy to lose. When Yu ran after the season, his shoe slipped off and he did not pick it up, his cap caught and he did not turn to look. He was not contending to be first; he was contending to get the season. Therefore the sage keeps the clear Way and holds the female measure; he goes along with things and answers change, always behind and never in front. He is soft and weak and so is still; he is loose and at ease and so is settled. He strikes the great and grinds down the hard, and none is able to contend with him.

天下之物,莫柔弱於水,然而大不可極,深不可測,修極於無窮,遠淪於無涯,息耗減益,通於不訾,上天則為雨露,下地則為潤澤,萬物弗得不生,百事不得不成,大包群生而無好憎,澤及蚑蟯而不求報,富贍天下而不既,德施百姓而不費,行而不可得窮極也,微而不可得把握也,擊之無創,刺之不傷,斬之不斷,焚之不然,淖溺流遁,錯繆相紛而不可靡散,利貫金石,強濟天下,動溶無形之域,而翱翔忽區之上,邅回川谷之間,而滔騰大荒之野,有餘不足,與天地取與,授萬物而無所前後,是故無所私而無所公,靡濫振蕩,與天地鴻洞,無所左而無所右,蟠委錯紾,與萬物始終,是謂至德。夫水所以能成其至德於天下者,以其淖溺潤滑也。故老聃之言曰:「天下至柔,馳騁天下之至堅。出於無有,入於無間。吾是以知無為之有益。」夫無形者,物之大祖也;無音者,聲之大宗也。其子為光,其孫為水,皆生於無形乎!夫光可見而不可握,水可循而不可毀,故有像之類,莫尊於水。

Among the things of all under heaven none is softer or weaker than water. Yet it is so great that it cannot be exhausted and so deep that it cannot be measured. In length it reaches the endless; far off it sinks into the shoreless. Its waxing and its wasting, its taking away and its adding, go through to what cannot be reckoned. Rise to heaven and it is rain and dew; come down to earth and it is moisture. The ten thousand things cannot be born if they do not get it, the hundred affairs cannot be done if they do not get it. It wraps the whole host of the living and has no liking and no hating; its bounty reaches the crawling worm and it seeks no return; it makes all under heaven rich and is not used up; it gives virtue to the people and is not spent; it travels, and no one can come to the end of it; it is fine, and no one can take hold of it; strike it and it takes no wound, stab it and it is not hurt, cut it and it is not severed, burn it and it does not catch; thick and slipping it flows away and escapes; tangled and thrown together it cannot be scattered; its sharpness pierces metal and stone, its strength saves all under heaven; it stirs and melts in the region that has no form and soars above the sudden quarter; it winds about among the streams and the valleys and floods over the fields of the great waste; having too much and having too little, it takes from heaven and earth and gives back to them, and it gives to the ten thousand things with no first and no last. Therefore it has nothing private and nothing public. Brimming and shaking, it runs through together with heaven and earth; it has no left and no right; coiled and twisted, it begins and ends with the ten thousand things. This is called the highest virtue. Now the reason water can bring its highest virtue to pass under heaven is that it is thick and soft and smooth. So the words of Lao Dan say, "The softest thing under heaven gallops over the hardest thing under heaven. It comes out of what has no being and goes in where there is no space. By this I know the profit of doing nothing." Now what has no form is the great ancestor of things, and what has no sound is the great forefather of sounds. Its son is light and its grandson is water, and both were born of what has no form! Now light can be seen but cannot be held, and water can be followed but cannot be broken. So among the kinds that have an image there is none higher than water.

出生入死,自無蹠有,自有蹠無,而以衰賤矣。是故清靜者,德之至也;而柔弱者,道之要也;虛無恬愉者,萬物之用也。肅然應感,殷然反本,則淪於無形矣。所謂無形者,一之謂也。所謂一者,無匹合於天下者也。卓然獨立,塊然獨處,上通九天,下貫九野,員不中規,方不中矩,大渾而為一葉,累而無根,懷囊天地,為道關門,穆忞隱閔,純德獨存,布施而不既,用之而不勤。是故視之不見其形,聽之不聞其聲,循之不得其身,無形而有形生焉,無聲而五音鳴焉,無味而五味形焉,無色而五色成焉。是故有生於無,實出於虛,天下為之圈,則名實同居。音之數不過五,而五音之變不可勝聽也。味之和不過五,而五味之化不可勝嘗也。色之數不過五,而五色之變不可勝觀也。故音者,宮立而五音形矣;味者,甘立而五味亭矣;色者,白立而五色成矣;道者,一立而萬物生矣。是故一之理,施四海;一之解,際天地。其全也,純兮若樸;其散也,混兮若濁。濁而徐清,沖而徐盈,澹兮其若深淵,汎兮其若浮雲,若無而有,若亡而存。萬物之總,皆閱一孔;百事之根,皆出一門。其動無形,變化若神;其行無跡,常後而先。是故至人之治也,掩其聰明,滅其文章,依道廢智,與民同出於公。約其所守,寡其所求,去其誘慕,除其嗜欲,損其思慮。約其所守則察,寡其所求則得。夫任耳目以聽視者,勞形而不明;以知慮為治者,苦心而無功。是故聖人一度循軌,不變其宜,不易其常,放準修繩,曲因其當。

Coming out is life and going in is death. From nothing one goes to something and from something one goes to nothing, and by this one grows worn and low. Therefore the clear and still is the height of virtue, the soft and weak is what is essential in the Way, and the empty and calm and glad is the use of the ten thousand things. Answer what moves you with a grave heart, turn back to the root with a deep heart, and you sink into what has no form. What is called having no form is the One. What is called the One is that which has no match in all under heaven. It stands alone and apart, it dwells alone like a clod; above it goes through the nine heavens and below it runs through the nine wilds; round, it does not fit the compass, and square, it does not fit the try square; greatly mingled, it is one, and the leaves pile up and there is no root. It holds heaven and earth in its bosom and is the gate of the Way. Silent and hidden and dim, pure virtue alone remains. It gives out and is not used up; it is used and does not tire. Therefore look at it and its form is not seen, listen to it and its sound is not heard, follow it and its body is not found. It has no form, and from it what has form is born; it has no sound, and from it the five notes sound; it has no taste, and from it the five tastes take shape; it has no color, and from it the five colors are made. Therefore being is born of nothing and the full comes out of the empty, and all under heaven is the pen for it, and so name and substance live together. The notes are no more than five in number, and yet the changes of the five notes cannot all be heard. The blendings of taste are no more than five, and yet the changes of the five tastes cannot all be tasted. The colors are no more than five in number, and yet the changes of the five colors cannot all be seen. So with the notes, once gong is set the five notes take shape; with the tastes, once the sweet is set the five tastes are fixed; with the colors, once the white is set the five colors are made; with the Way, once the One is set the ten thousand things are born. Therefore the pattern of the One is spread through the four seas and the unloosing of the One reaches heaven and earth. Whole, it is pure as the uncarved block; scattered, it is mingled as the turbid. Turbid, it slowly clears; empty, it slowly fills. Calm, it is like a deep pool; wide, it is like a floating cloud. It seems not to be and yet it is; it seems gone and yet it remains. The whole sum of the ten thousand things passes through one hole; the root of the hundred affairs comes out of one gate. Its moving has no form and its changing is like a spirit; its going leaves no track and it is always behind and yet in front. Therefore in the governing of the utmost man he covers his own keen hearing and sight and puts away his own fine patterns; he leans on the Way and lays cleverness aside, and comes forth from what is public together with the people. He makes fewer the things he keeps and makes less what he seeks; he puts away what lures him and what he longs for; he does away with his relish and his desire; he lessens his thinking and his care. Make fewer the things you keep and you see clearly; make less what you seek and you get it. He who trusts his ears and his eyes to hear and to see wears out his form and is not clear-sighted; he who takes knowing and thinking for governing troubles his heart and has nothing to show. Therefore the sage holds to one measure and follows the track. He does not change what is fitting, he does not alter what is constant; he sets down the level and stretches the marking line, and even for what is crooked he follows what fits it.

夫喜怒者,道之邪也;憂悲者,德之失也;好憎者,心之過也;嗜欲者,性之累也。人大怒破陰,大喜墜陽;薄氣發瘖,驚怖為狂;憂悲多恚,病乃成積;好憎繁多,禍乃相隨。故心不憂樂,德之至也;通而不變,靜之至也;嗜欲不載,虛之至也;無所好憎,平之至也;不與物散,粹之至也。能此五者,則通於神明。通於神明者,得其內者也。是故以中制外,百事不廢;中能得之,則外能收之。中之得,則五藏寧,思慮平,筋力勁強,耳目聰明,疏達而不悖,堅強而不鞼,無所大過而無所不逮,處小而不逼,處大而不窕,其魂不躁,其神不嬈,湫漻寂寞,為天下梟。

Joy and anger are a swerving from the Way; sorrow and grief are a losing of virtue; liking and hating are a fault of the heart; relish and desire are a burden on the nature. When a man is greatly angry he breaks his yin, and when he is greatly glad he casts down his yang; when his breath is thin he loses his voice, and when he is startled and afraid he goes mad; when sorrow and grief bring much rage, sickness gathers and takes hold; when liking and hating are many and troublesome, ruin comes one upon another. So a heart that neither sorrows nor rejoices is the height of virtue; to go through and not be changed is the height of stillness; to carry no relish and no desire is the height of emptiness; to have nothing you like and nothing you hate is the height of peace; not to be scattered among things is the height of purity. A man who can do these five goes through to the bright spirits, and he who goes through to the bright spirits is the man who has got what is within. Therefore govern the outside from the center and the hundred affairs do not fail; if the center can get it, the outside can gather it in. When the center is got, the five organs are at peace, thought is calm, sinew and strength are firm and strong, the ear and the eye are keen. He is open and clear and does not go astray; he is firm and strong and is not broken. There is nothing he greatly oversteps and nothing he falls short of. He dwells in a small place and is not pressed; he dwells in a great place and is not left slack. His soul is not restless and his spirit is not troubled. Clear and still and silent, he becomes the chief of all under heaven.

大道坦坦,去身不遠,求之近者,往而復反。迫則能應,感則能動;物穆無窮,變無形像。優游委縱,如響之與景;登高臨下,無失所秉;履危行險,無忘玄伏。能存之此,其德不虧,萬物紛糅,與之轉化,以聽天下,若背風而馳,是謂至德。至德則樂矣。古之人有居巖穴而神不遺者,末世有勢為萬乘而日憂悲者。由此觀之,聖亡乎治人,而在於得道;樂亡乎富貴,而在於德和。知大己而小天下,則幾於道矣。所謂樂者,豈必處京臺、章華,游雲夢、沙丘,耳聽九韶、六瑩,口味煎熬芬芳,馳騁夷道,釣射鷫鷞之謂樂乎?吾所謂樂者,人得其得者也。夫得其得者,不以奢為樂,不以廉為悲,與陰俱閉,與陽俱開。故子夏心戰而臞,得道而肥。聖人不以身役物,不以欲滑和,是故其為懽不忻忻,其為悲不惙惙,萬方百變,消搖而無所定,吾獨慷慨,遺物而與道同出。是故有以自得之也,喬木之下,空穴之中,足以適情。無以自得也,雖以天下為家,萬民為臣妾,不足以養生也。能至於無樂者,則無不樂;無不樂,則至極樂矣。

The great Way is level and broad and is not far from your own body; seek it near at hand and you go and come back again. Press upon it and it can answer; move it and it can stir. Things are deep and have no end, and change has no form and no image. Loose and easy, it gives itself up and lets go, like the echo to the sound and the shadow to the form. Climb high and look down, and do not lose your hold; tread on danger and walk in peril, and do not forget the dark crouching. A man who can keep this does not let his virtue be chipped away, and though the ten thousand things are tangled and mixed, he turns and changes along with them, and he governs all under heaven as a man runs with the wind at his back. This is called the highest virtue, and with the highest virtue there is joy. Among the men of old there were those who lived in a cave in the rocks and did not lose their spirit; in these last ages there are men with the power of ten thousand chariots who grieve and sorrow by the day. Looking at it this way, sagehood does not lie in governing men but in getting the Way, and joy does not lie in wealth and rank but in the harmony of virtue. Hold yourself great and all under heaven small, and you are near the Way. What is called joy, must it be to dwell in the Jing Terrace and the Zhanghua, to roam in Yunmeng and Shaqiu, to hear with the ear the Jiushao and the Liuying, to taste with the mouth what is fried and simmered and fragrant, to gallop along the level road, to hook and shoot the sushuang bird? What I call joy is that a man gets what is his to get. He who gets what is his to get does not take extravagance for joy or plain living for sorrow; he closes together with the yin and opens together with the yang. So Zixia's heart was at war and he grew thin, and when he got the Way he grew stout. The sage does not make his body the servant of things and does not let desire muddy his harmony. Therefore his gladness is not a leaping gladness and his sorrow is not a sunken sorrow; through ten thousand ways and a hundred changes he wanders free and settles nowhere, and alone he is stirred and open-hearted, leaving things behind and coming forth together with the Way. Therefore, if a man has that by which he gets it of himself, the space under a tall tree and the inside of an empty cave are enough to suit his feeling; if he has nothing by which to get it of himself, then though he make all under heaven his house and the ten thousand people his servants and his women, it is not enough to nourish his life. He who can come to where there is no joy has nothing that is not joy, and having nothing that is not joy, he has come to the highest joy.

夫建鍾鼓,列管弦,席旃茵,傅旄象,耳聽朝歌北鄙靡靡之樂,齊靡曼之色,陳酒行觴,夜以繼日,強弩弋高鳥,走犬逐狡兔,此其為樂也,炎炎赫赫,怵然若有所誘慕。解車休馬,罷酒徹樂,而心忽然若有所喪,悵然若有所亡也。是何則?不以內樂外,而以外樂內,樂作而喜,曲終而悲,悲喜轉而相生,精神亂營,不得須臾平。察其所以,不得其形,而日以傷生,失其得者也。是故內不得於中,稟授於外而以自飾也,不浸於肌膚,不浹於骨髓,不留於心志,不滯於五藏。故從外入者,無主於中,不止。從中出者,無應於外,不行。故聽善言便計,雖愚者知說之;稱至德高行,雖不肖者知慕之。說之者眾而用之者鮮,慕之者多而行之者寡。所以然者,何也?不能反諸性也。夫內不開於中而強學問者,不入於耳而不著於心。此何以異於聾者之歌也?效人為之而無以自樂也,聲出於口則越而散矣。

To set up bells and drums, to range pipes and strings, to spread felt and mats, to hang up yak-tail banners and ivory, to hear with the ear the languid music of Zhaoge and of the northern border, to line up women of soft and slender beauty, to set out the wine and pass the cup, to join the night to the day, to shoot the high birds with a stout crossbow and to chase the crafty hare with running dogs: such joy as this blazes and glitters, and a man is startled at it, as though something lured him and drew him on. Then unhitch the carriage and rest the horses, stop the wine and take the music away, and of a sudden his heart is as though it had lost something, and he is downcast, as though something had gone from him. How is this? He does not make the inside enjoy the outside, but makes the outside enjoy the inside. The music strikes up and he is glad, the tune ends and he is sad; sadness and gladness turn about and give birth to each other, and his spirit is thrown into confusion and cannot be at peace for a moment. Look into the reason for it and no form is found, and day by day it harms his life: he has lost what was his to get. Therefore what a man does not get within at the center, but takes from outside to adorn himself with, does not soak into his skin, does not seep into his marrow, does not stay in his heart and will, does not settle in his five organs. So what comes in from outside does not stop, if there is no master at the center; what comes out from the center does not go forward, if there is nothing outside to answer it. So when men hear good words and handy plans, even the foolish know to be pleased with them; when the highest virtue and lofty conduct are praised, even the unworthy know to long for them. Those who are pleased are many and those who use them are few; those who long for them are many and those who walk in them are few. Why is this so? Because they cannot turn back to their own nature. A man who is not open within at the center and forces himself to study and to ask does not take it in at the ear and it does not stick to his heart. How is this different from the singing of a deaf man? He copies another and does it and has nothing in it to enjoy of himself, and the sound comes out of his mouth and overflows and is scattered.

夫心者,五藏之主也,所以制使四支,流行血氣,馳騁於是非之境,而出入於百事之門戶者也。是故不得於心而有經天下之氣,是猶無耳而欲調鐘鼓,無目而欲喜文章也,亦必不勝其任矣。故天下神器,不可為也,為者敗之,執者失之。夫許由小天下而不以己易堯者,志遺於天下也。所以然者,何也?因天下而為天下也。天下之要,不在於彼而在於我,不在於人而在於我身,身得則萬物備矣。徹於心術之論,則嗜欲好憎外矣。是故無所喜而無所怒,無所樂而無所苦,萬物玄同也,無非無是,化育玄燿,生而如死。

The heart is the master of the five organs. It governs and employs the four limbs, it makes the blood and the breath flow, it gallops over the ground of right and wrong, and it goes in and out at the gates of the hundred affairs. Therefore for a man not to have got it in his heart and yet to have the spirit to govern all under heaven is like wishing to tune bells and drums with no ears, or to delight in fine patterns with no eyes: he is surely not equal to what he takes on. So all under heaven is a vessel of spirit and cannot be forced; he who forces it ruins it, and he who grasps it loses it. Now Xu You held all under heaven small and would not trade himself for Yao, because his will had let all under heaven go. Why was this so? Because he made all under heaven out of all under heaven itself. What is essential in all under heaven is not over there but in me, not in others but in my own body, and when the body has got it, the ten thousand things are complete. Go right through the discourse on the arts of the heart, and relish and desire and liking and hating are put outside. Therefore there is nothing he is glad at and nothing he is angry at, nothing he takes joy in and nothing he suffers from. The ten thousand things are darkly one; there is no wrong and no right; transforming and rearing shine darkly, and he lives as though dead.

夫天下者亦吾有也,吾亦天下之有也,天下之與我,豈有間哉!夫有天下者,豈必攝權持勢,操殺生之柄而以行其號令邪?吾所謂有天下者,非謂此也,自得而已。自得,則天下亦得我矣。吾與天下相得,則常相有,己又焉有不得容其間者乎!所謂自得者,全其身者也。全其身,則與道為一矣。故雖游於江潯海裔,馳要褭,建翠蓋,目觀掉羽、武象之樂,耳聽滔朗奇麗激抮之音,揚鄭、衛之浩樂,結激楚之遺風,射沼濱之高鳥,逐苑囿之走獸,此齊民之所以淫泆流湎,聖人處之,不足以營其精神,亂其氣志,使心怵然失其情性。處窮僻之鄉,側谿谷之間,隱於榛薄之中,環堵之室,茨之以生茅,蓬戶瓮牖,揉桑為樞,上漏下溼,潤浸北房,雪霜滖灖,浸潭眾蔣,逍遙於廣澤之中,而仿洋於山峽之旁,此齊民之所為形植黎黑,憂悲而不得志也,聖人處之,不為愁悴怨懟,而不失其所以自樂也。是何也?則內有以通於天機,而不以貴賤貧富勞逸失其志德者也。故夫烏之啞啞,鵲之唶唶,豈嘗為寒暑燥溼變其聲哉!是故夫得道已定,而不待萬物之推移也,非以一時之變化而定吾所以自得也。吾所謂得者,性命之情處其所安也。

All under heaven is mine, and I too belong to all under heaven. Between all under heaven and me, what space is there! Must the man who has all under heaven grasp power and hold force, take the handle of killing and sparing, and so carry out his orders? What I call having all under heaven is not this; it is only to get it of oneself. Get it of yourself, and all under heaven gets you too. When I and all under heaven get each other, each always has the other, and what could there be, between me and it, that is not taken in! What is called getting it of oneself is keeping one's own body whole, and keeping the body whole, one becomes one with the Way. So a man may roam on the river bank and at the edge of the sea, gallop the Yaoniao horse, raise a kingfisher canopy, watch with his eye the dances of the Diaoyu and the Wuxiang, hear with his ear sounds that surge and ring, strange and lovely and stirring, strike up the broad music of Zheng and Wei, tie in the lingering airs of the Jichu, shoot the high birds at the edge of the pool and chase the running beasts in the park. This is what makes the common people run wild and sink and drown, but when the sage dwells among these things, they are not enough to trouble his spirit or to disorder his breath and his will, or to make his heart start up and lose its feeling and its nature. Or he may dwell in a far corner of the country, at the side of a stream and a valley, hidden in the thicket and the brush, in a room with one ring of wall, thatched with living grass, with a door of woven weeds and a window of a jar's mouth, a mulberry branch bent for a door pivot, leaking above and damp below, the wet soaking through to the north room, snow and frost piling up, the many rushes drenched; and he may wander in the middle of the wide marsh and roam beside the mountain gorge. This is what makes the common people grow black and withered in their form, grieving and sorrowing and never getting their will; but when the sage dwells in it, he does not become worn with care or resentful, and he does not lose that by which he takes joy in himself. How is this? Within, he has that by which he goes through to the working of heaven, and he does not lose his will and his virtue for rank or lowliness, for poverty or wealth, for toil or ease. So the caw-caw of the crow and the chak-chak of the magpie, did they ever change their cry for cold or heat, for dry or damp! Therefore when the getting of the Way is already settled, a man does not wait upon the shifting of the ten thousand things, and he does not settle what makes him get it of himself by the change of one hour. What I call getting is that the true state of nature and destiny dwells where it is at ease.

夫性命者,與形俱出其宗,形備而性命成,性命成而好憎生矣。故士有一定之論,女有不易之行,規矩不能方圓,鉤繩不能曲直。天地之永,登丘不可為脩,居卑不可為短。是故得道者,窮而不懾,達而不榮,處高而不機,持盈而不傾,新而不朗,久而不渝,入火不焦,入水不濡。是故不待勢而尊,不待財而富,不待力而強,平虛下流,與化翱翔。若然者,藏金於山,藏珠於淵,不利貨財,不貪勢名。是故不以康為樂,不以慊為悲,不以貴為安,不以賤為危,形神氣志,各居其宜,以隨天地之所為。夫形者,生之舍也;氣者,生之充也;神者,生之制也。一失位,則三者傷矣。是故聖人使人各處其位,守其職,而不得相乾也。故夫形者非其所安也而處之則廢,氣不當其所充而用之則泄,神非其所宜而行之則昧。此三者,不可不慎守也。

Nature and destiny come out of their ancestor together with the form; when the form is complete, nature and destiny are made, and when nature and destiny are made, liking and hating are born. So the scholar has a discourse that is once settled and the woman has conduct she does not change, and compass and try square cannot make them square or round, hook and marking line cannot make them bent or straight. As for the everlastingness of heaven and earth, climb a hill and you cannot make it longer, stay in a low place and you cannot make it shorter. Therefore the man who has got the Way is not cowed when he is in straits and is not puffed up when he gets through; he dwells high and is not shaken, he holds what is full and does not tip over, he is new and does not glitter, he is old and does not change, he goes into fire and is not scorched, he goes into water and is not soaked. Therefore he does not wait on power to be honored, does not wait on wealth to be rich, does not wait on strength to be strong; level and empty, he flows downward and soars along with the transforming power. Such a man hides his gold in the mountain and his pearl in the deep; he does not count goods and wealth a profit and does not covet power and a name. Therefore he does not take ease for joy or want for sorrow, he does not take honor for safety or lowliness for danger, and form and spirit, breath and will, each dwell where they fit, and so he follows what heaven and earth do. Now the form is the house of life, the breath is the filling of life, and the spirit is the rule of life. If one of them loses its place, all three are harmed. Therefore the sage makes each of them dwell in its own place and keep its own office, so that they cannot encroach upon one another. So if the form is set where it is not at ease, it fails; if the breath is used where it does not belong, it leaks away; if the spirit is made to act where it does not suit, it grows dark. These three must be guarded with care.

夫舉天下萬物,蚑蟯貞蟲,蝡動蚑作,皆知其所喜憎利害者,何也?以其性之在焉而不離也,忽去之,則骨肉無倫矣。今人之所以眭然能視,營然能聽,形體能抗,而百節可屈伸,察能分白黑、視醜美,而知能別同異、明是非者,何也?氣為之充,而神為之使也。何以知其然也?凡人之志各有所在而神有所繫者,其行也,足蹪趎埳、頭抵植木而不自知也,招之而不能見也,呼之而不能聞也。耳目非去之也,然而不能應者,何也?神失其守也。故在於小則忘於大,在於中則忘於外,在於上則忘於下,在於左則忘於右。無所不充,則無所不在。是故貴虛者以豪末為宅也。

All the ten thousand things under heaven, the crawling insects and the creeping and stirring creatures, all know what they like and what they hate, what helps them and what harms them. Why is this? Because their nature is there in them and does not leave them; let it suddenly go, and bone and flesh have no order left. Now that a man can open his eyes and see, can bend his ear and hear, that his body can hold itself up and his hundred joints can bend and stretch, that his looking can part white from black and see the ugly from the fair, that his knowing can part the same from the different and make clear the right from the wrong: why is this? Because breath fills him and spirit employs him. How is this known to be so? When a man's will is fixed on something and his spirit is tied to it, then as he walks his foot stumbles in a pit and his head strikes a standing tree and he does not know it himself; beckon him and he cannot see, call to him and he cannot hear. His ears and his eyes have not gone from him, and yet he cannot answer. Why? Because his spirit has lost its watch. So when he is in the small he forgets the great, when he is at the center he forgets the outside, when he is above he forgets below, when he is at the left he forgets the right. But when there is nothing it does not fill, there is nowhere it is not. Therefore the man who prizes emptiness makes the tip of a hair his house.

今夫狂者之不能避水火之難而越溝瀆之險者,豈無形神氣志哉?然而用之異也。失其所守之位,而離其外內之舍,是故舉錯不能當,動靜不能中,終身運枯形於連嶁列埒之門,而蹪蹈於污壑阱陷之中,雖生俱與人鈞,然而不免為人戮笑者,何也?形神相失也。故以神為主者,形從而利;以形為制者,神從而害。貪饕多欲之人,漠歐於勢利,誘慕於名位,冀以過人之智植於高世,則神日以耗而彌遠,久淫而不還,形閉中距,則神無由入矣。是以天下時有盲妄自失之患。此膏燭之類也,火逾然而消逾亟。夫精神氣志者,靜而日充者以壯,躁而日耗者以老。是故聖人將養其神,和弱其氣,平夷其形,而與道沈浮俛仰,恬然則縱之,迫則用之。其縱之也若委衣,其用之也若發機。如是,則萬物之化無不遇,而百事之變無不應。

Now when a madman cannot keep clear of the danger of water and fire and cannot get across a ditch or a drain, is it that he has no form and spirit, no breath and will? It is that he uses them otherwise. He has lost the place that they keep and has left the house within and without, and so his bearing cannot be fitting and his moving and his resting cannot hit the mark. All his life he carries his withered form about the gate of ridge upon ridge and bank upon bank, and stumbles and falls into the foul gully and the pit; and though his life is the same as other men's, he does not escape being killed and being laughed at by others. Why? Because form and spirit have lost each other. So the man who makes the spirit master has his form follow and profit by it; the man who makes the form the rule has his spirit follow and be harmed by it. The greedy man of many desires is driven along by power and gain and is lured and drawn by name and place. He hopes with a cleverness beyond other men to set himself up high in the age, and so his spirit is worn away by the day and grows ever farther off; long sunk in it, it does not come back, and when the form is shut and the center is barred, the spirit has no way to come in. This is why there are sometimes under heaven the troubles of blindness and folly and losing oneself. This is of a kind with the tallow candle: the more the fire burns, the faster it melts away. Now the spirit and the breath and the will: he who is still and fills up by the day grows strong, and he who is restless and is worn away by the day grows old. Therefore the sage would nourish his spirit, harmonize and soften his breath, and level his form, and he sinks and floats and bows down and looks up together with the Way; when he is calm he lets it go, and when he is pressed he uses it. His letting go is like laying down a robe; his using is like releasing a crossbow. In this way there is no change among the ten thousand things that he does not meet, and no turn among the hundred affairs that he does not answer.