The Two Sages of Posan包山二聖
1The Trees Bend South in Welcome
包山二聖羅時有觀機·道成二聖師,不知何許人同隐包山.〔郷去所瑟山乃梵音,此云包也.〕機庵南嶺,成䖏北穴.相去十許里,披雲嘯月每相過從.成欲致機,則山中樹木皆向南而俯如相迎者.機見之而徃.機欲邀成也則亦如之皆北偃,成乃至,如是有年.成於所居之後髙嵓之上常宴㘴.一日自嵓縫間透身而出,全身騰空而逝,莫知所至.或云至壽昌郡〔今壽城郡〕指骸焉,機亦継踵歸真.
The two sages of Posan.
In the Silla period there were two holy masters, Gwangi (觀機) and Doseong (道成). It is not known what sort of men they were, and they hid together on Posan.〔In the native tongue it is called Soseulsan, which is Sanskrit, and here it means 'po (包).'〕
Gwangi built a hermitage on the southern ridge, and Doseong lived in a cave to the north.
They were about ten li apart, and parting the clouds and whistling to the moon, they always went back and forth to each other.
When Doseong wished to call Gwangi, all the trees in the mountain bent toward the south as if to welcome him.
Gwangi saw this and went.
When Gwangi wished to invite Doseong, it was the same, and all the trees leaned north, and Doseong came. This went on for years.
Doseong always sat in stillness on a high rock behind his dwelling.
One day he passed his body out through a crack in the rock, and his whole body rose into the air and vanished, and no one knows where he went.
Some say he reached Suchang District〔It is the present Suseong District.〕 and left his bones there. Gwangi too followed after him and returned to the truth.
Interlinear notes 2
郷去所瑟山乃梵音, 此云包也.
In the native tongue it is called Soseulsan, which is Sanskrit, and here it means 'po (包).'
今壽城郡
It is the present Suseong District.
2The Incense Wood Glows at Night Like a Candle
今以二師名命其墟,皆有遺趾.道成嵓髙数丈,後人置寺穴下.大平興國七年壬午有釋成梵始来住寺,敞萬日彌陁道塲,精懃五十餘年屢有殊祥.時玄風信士二十餘人嵗結社,拾香木納寺.每入山採香劈析淘洗攤置箔上,其木至夜放光如燭.由是郡人項施其香徒以得光之嵗爲賀,乃二聖之霊感或岳神攸助也.神名靜聖天王甞於迦葉佛時受佛囑,有夲誓,“待山中一千人出世轉受餘報.”今山中甞記九聖,遺事則未詳,曰“觀機·道成·㮽師·𣛻師·道義〔有栢岩基.〕·子陽·成梵·今勿女·白牛師.”
Now the sites are named after the two masters, and both have traces remaining.
Doseong Rock is several jang high, and later people built a temple below the cave.
In the seventh year of Taiping Xingguo, the year imo, the monk Seongbeom (成梵) first came to live at the temple. He opened a ten-thousand-day Amitabha practice hall and strove with devotion for more than fifty years, and extraordinary omens appeared many times.
At that time some twenty believers of Hyeonpung formed a society each year, gathered incense wood, and offered it to the temple.
Whenever they went into the mountain to gather incense wood, they split it, washed it, and spread it on screens, and at night the wood gave off light like a candle.
Because of this the people of the district added their gifts to those incense followers, and they took the year the light appeared as a cause for congratulation.
This was the divine response of the two sages, or else the help of the mountain spirit.
The spirit's name is Jeongseong Cheonwang (靜聖天王). Long ago, in the time of the Buddha Kasyapa, he received the Buddha's charge and made an original vow:
"I will wait until a thousand men in this mountain come forth into the world, and then receive the rest of my reward."
Nine sages of this mountain were once recorded, but the details of what they left are not known. They are said to be Gwangi, Doseong, the master Ban, the master Cheop, Doui〔There is the site of Baegamsa.〕, Jayang, Seongbeom, Geummullyeo, and the master Baegu.
Interlinear notes 1
有栢岩基.
There is the site of Baegamsa.
3A Poem I Wrote While Living on Posan
讃曰.“相過踏月弄雲泉,二老風流㡬百年.滿壑烟霞餘古木,仾昻寒影尚如迎.”㮽音般,郷云雨木,𣛻音牒,郷云加乙木.此二師久隠嵓叢,不交人世.皆編木葉爲衣,以度寒暑掩濕遮羞而已.因以爲號.甞聞楓岳亦有斯名,乃知古之隠倫之士例多逸韻如此,但難爲蹈襲.子甞寓包山,有記二師之遺羙今并録之.紫茅黄精𡎺肚皮,蔽衣木葉非蚕機.寒松颼颼石犖确,日暮林下樵蘇歸.夜深披向月眀㘴,一半䬃䬃随風飛.敗蒲横卧於憨眼,夢魂不到紅塵覊.雲逰逝兮二庵墟,山鹿恣登人跡稀.
In praise it is said:
Treading the moon they visited each other, playing with clouds and springs; how many hundred years the two old men's free ways? In the valley full of mist and glow the old trees remain, their cold shadows rising and dipping as if still in welcome.
The character ban (㮽) is pronounced ban and in the native tongue means binamu, rain tree. The character cheop (𣛻) is pronounced cheop and in the native tongue means galnamu, oak tree.
These two masters hid long in the rocky thickets and had no dealings with the world of men.
Both wove tree leaves into clothing to pass the cold and the heat, only covering what was damp and hiding what was shameful. From this they took their names.
I once heard that Pungak also has such names, so one knows that the hidden men of old mostly had such rare elegance. Only it is hard to follow in their steps.
I once lived on Posan and wrote a record of the beauty the two masters left behind, and I set it down here as well.
Purple thatch grass and yellow sealwort filled their bellies; their covering was of tree leaves, not from the silkworm's loom. The cold pines soughed and the stones were rough and jagged, and at dusk beneath the woods the woodcutter went home. Deep in the night they parted the leaves and sat facing the bright moon, and half of them rustled and flew off with the wind. Lying askew on a worn rush mat with eyes shut, their dreaming souls never reached the fetters of the red dust. Wandering like clouds they went, and at the two hermitage sites the mountain deer climb as they please, and the tracks of men are few.